As the third movie draws ever nearer, a new report indicates that Daniel Craig and Rian Johnson are reportedly displeased with Netflix about theKnives Outfranchise’s lack of theatrical future. After Johnson’s whodunnit wowed audiences and critics alike in 2019, Netflix purchased the rights for two further sequels in the series, following Craig’s gentleman detective Benoit Blanc. InGlass Onion: A Knives Out Mystery’s story, Benoit joined a tightly-knit group of wealthy friends on a private island, where a murder mystery game led to several sinister truths coming to light.

WhileGlass Onion: A Knives Out Mysterywas able to follow up and match its predecessors' critical claim among viewers and audiences,Puck Newsreports that the handling of its release has caused divisions between creatives and higher-ups at Netflix. It is reported thatneither Johnson nor Craig were satisfied with the movie’s one-week limited theatrical releasein December 2021, with the actor raising the issue with Sarandos after witnessing the ovation the movie received at its Toronto premiere. Craig stated that the movie being warmly embraced by audiences should be proof that a longer theatrical run would be worth investing in.

glass onion ending daniel craig as benoit blanc

Despite Craig’s evidence, Sarandos stood firm and stated that such a release just wouldn’t fit within the streaming service’s model.Craig bluntly responded by stating that the “model is f—-d”, with the actor’s response becoming a well-known sentiment among those in the industry.

What We Know AboutGlass Onion’s Box-Ofice Results?

The Sequel Did Not Match Its Predecessor’s Success With Its Limited Run

Thoughcritics and audiences were pleased byGlass Onionand allowed the movie to become the service’s highest-watched original movie until the release of their 2024 fantasy featureDamsel, its theatrical run wasn’t able to become a box-office hit by the time of its theatrical run.The movie was only released across 600 theatersfor a single week from November 23-29 in the US, alongside a similar limited release across the international markets.

However, despite being the service’s widest theatrical release to date,the movie was still only to accumulate approximately $15 millionby the end of its brief theatrical run. It is reported thatGlass Onion’s budget was closer to its predecessor’s $40 million, so its box office under Netflix’s final run fell short of even making back half of its budget. It also proved to be a far cry from the first movie’s blockbuster success, in which it grossed just shy of $313 million worldwide.

Daniel Craig as Benoit Blanc in Front of the Wake Up Dead Man Logo

Our Thoughts On Craig & Johnson’s Glass Onion Netflix Disagreements

Could Netflix’s Relationship With The Filmmaker End?

While he may have brought success to the platform, Johnson is notably at odds with the streaming service on several filmmaking stances.Johnson is a passionate proponent of theatrical distribution, pushing for the streamer to experiment with theatrical releases and even joining a group of acclaimed directors in purchasing the Westwood Village theatre in LA, alongside his hopes to seeGlass Onionreceive a rare Netflix home release.

Knives Out 3: 3 Reasons Wake Up Dead Man Should Be the Last Sequel

Knives Out could run into a serious problem if the franchise overstays its welcome.

As such, it is uncertain whether Johnson and Craig’s contrasting stance with Netflix may have affected their agreements following the release of the already-agreed-on and already-filmedthird installment,Wake Up Dead Man, as the streamer had only bought the rights to it andGlass Onion, despite Johnson’s intentions to make more Benoit Blanc mysteries, meaning they may opt to take theKnives Outfranchise elsewhere. With Craig and Johnson keen to see the third movie get a theatrical release and the threequel reportedly having a budget of $210 million, it may be in Netflix’s favor to give the 2025 movie a greater theatrical run.

Knives Out (2019) Movie Poster

Knives Out

TheKnives Outfranchise, created by writer-director Rian Johnson, is a modern take on the classic whodunit genre. The films follow master detective Benoit Blanc as he solves elaborate murder mysteries involving eccentric and wealthy suspects. The franchise blends dark comedy, sharp social commentary, and intricate plot twists, paying homage to the works of Agatha Christie while offering fresh, contemporary storytelling.